Mojave Audio MA-200SN - Large-Diaphram Tube Condenser Microphone
The MA-200SN is a large diaphragm, vacuum tube condenser microphone with a fixed cardioid pattern. Born to a lineage of fine microphone designs by David Royer, the MA-200SN gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.

Utilizing hand-selected single-sided 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200SN performs at a level reminiscent of some of the best loved classic condenser microphones. The MA-200SN power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). Each MA-200SN microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case-within-a-case.

PEARLMAN MICROPHONES TM-47
This microphone is based on the venerable U47 and is built in a body reminiscent of the classic look of the 50s and 60s. The stock TM-47 is a cardioid microphone made with the Pearlman K47 style capsule (made in Southern California), a 6SJ7 or 6AC7 tube, hand wired, point-to-point circuit with paper-in-oil output capacitor, and the Pearlman BV8 type output transformer.

All Pearlman microphones come with shockmount, Mogami cable with Neutrik connectors, USA made power supply, and aluminum carrying case. .. Gluten free.

Royer Labs R-122 MKII - Active Ribbon Microphone
In 2002 we introduced the R-122, the world’s first phantom powered, active ribbon™ microphone. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources. It also allowed the mic to be paired to virtually any preamplifier.

The R-122 MKll takes the R-122 to a whole new level, delivering unprecedented flexibility for ribbons via the addition of a switchable -15 dB pad and a switchable bass-cut filter. The switches are completely out of the circuit when disengaged so when both are off, the microphone is for all purposes an original R-122. The switches are located on the back of the microphone and recessed to prevent accidental activation.

Roswell Pro Audio Colares • Boutique Vocal Condenser Microphone
The Colares is a large-body condenser microphone with a larger than life sound. It is our flagship vocal microphone, and excels at injecting color, vibe, excitement, and life to a track.

This is not a neutral or transparent microphone. It is unapologetically rich in both tone and harmonics. The design inspiration was the Telefunken ElaM 251, but our goal was to deliver all the detail and vintage tone of the 251 without the cost, maintenance hassle, or noise floor of a tube microphone.

The Colares has two unique features: a pad/voicing switch and a 3-way filter switch. Learn more about these in the Description tab below, on this page.

Royer Labs R-122 MKII Live - Active Ribbon-Velocity Live Microphone
The R-122 MKII Live is a road-optimized version of the phantom powered R-122 MKII ribbon microphone with a switchable -15 dB pad and a low cut filter. Sonically similar to our groundbreaking R-121, the R-122 MKII exhibits a flat frequency response and a well-balanced, panoramic soundfield, but it’s 13 dB more sensitive and has a faster transient response, giving a sense of more open highs. Like the R-121, it is capable of handling high SPL applications.

Royer Labs RSM-SS1 - Microphone Shouck Mount
The Sling-Shock™ model RSM-SS1 is a microphone shock mount, which provides excellent isolation between a microphone and the microphone stand.

The innovative suspension system reduces induced distortion by keeping out unwanted vibration and random low-frequency disturbances commonly characterized as "rumble".

VOYAGE AUDIO Dante - Spatial Audio Capture Microphone
Spatial Mic lets you focus on recording immersive audio for VR, ATMOS, spatial music, concert recording, live broadcasts and much more. Want to use it in traditional stereo session? No Problem – the included software makes it easy to decode to stereo and aim virtual mics around the soundfield. No need for expensive multi-microphone & preamp setups – just plug-in and record with USB/ADAT. Also available for Dante network version.

Roswell Pro Audio Delphos II is a premium studio condenser microphone, featuring unhyped and natural frequency response, very high sensitivity, and very low self-noise. It has 3 polar patterns (True Cardioid, Omni, Figure 8) and a switchable 10dB pad.

The Delphos II is an upgrade to the original Delphos, which helped establish Roswell as a source for no-compromise studio microphones -- devices that regularly compete with and best competitive models that cost three times as much, or more.

Vanguard V1 LOLLI PENCIL CONDENSER KIT
The Vanguard V1+LOLLI is a multi-capsule FET pencil condenser microphone. Five total custom-voiced capsules – large- and small-diaphragm, and with 6 pickup patterns – allow for a cornucopia of tonal variations for virtually any sound source or recording situation. With premium cryogenically-treated FET componentry, an unparalleled selection of capsules, and a true heavy-duty shockmount, the V1+LOLLI is the most versatile mic’ing system you’ll find.

Royer SM-21 - AxeMount - Dual Microphone Mount for 57/R-121
Blending an R-121 ribbon with a dynamic mic is a legendary method for capturing electric guitars. The AxeMount microphone clip positions an R-121 right next to a 57-style dynamic mic, phase-aligned and ready to record, for the ultimate electric guitar microphone package. Making small position adjustments on a speaker or switching both mics to another cabinet is as easy as moving only one mic stand.

Roswell Pro Audio Aztec
The Roswell Aztec is a boutique multipattern tube microphone built without compromise.

The Aztec results from several years' worth of R&D and component testing, during which every piece of the microphone and power supply was reviewed, revised, and improved. The result is a stunning microphone that captures the sound and energy of the vintage ElaM 251, with modern performance specifications and additional features.

Introductory Pricing / Limited Availability
This mic's MSRP is $3299. We are offering it at a discounted introductory price ($2499) for a limited time. We anticipate a backorder this summer, after which the price reverts to a sustainable number.

Mesanovic Microphone MODEL 2 the most versatile ribbon microphone ever made
• The most extended high end frequency response of any ribbon
• Classic ribbon smoothness with an open and transparent low end
• All original design delivering unique sonic character
• Slim compact design allows for easy set up
• Low noise, low distortion, exceptional detail, and 3D like sound
• 100% handcrafted in Detroit, MI

The Cortado MkIII contact microphone is the latest incarnation of Zeppelin Design Labs' popular balanced and buffered contact microphone.
• All-new sensor design is nearly indestructible
• Phantom-powered onboard preamp circuit is housed in rugged steel chassis
• 6′ (1.8m) shielded cable from sensor to chassis
• 23 Hz – 40 kHz bandwidth
• Switchable onboard high pass filter (called “Bass Boost”)
• -10 dB PAD for recording extra-loud sources
• Requires 24-48 VDC phantom power from a standard XLR mic cable
• Optional rubber feet for the chassis included
• Mounting putty included
• The optional Attachment Accessory Kit includes a variety of clamps, tape and extra putty for attachment to any surface

Mojave Audio MA-50BLK
The challenge? Create a transformerless microphone circuit without the inherent problems found in transformerless microphones. Technical Grammy® award winning microphone designer David Royer has created a thoroughly modern microphone that rises to that challenge: the new MA-50. Designed to produce the clarity and realism that Mojave microphones are known for – at an entry level price – the MA-50 out performs well-known transformerless mics costing many times more.

The MA-50BLK is the perfect microphone for pros and semi-pros alike. Utilizing the same single-sided capsule as the MA-200SN and MA-201VG, it handles the fastest transients with ease – even up to 140 dB.

Royer Labs R-121 MP Matched Pair - Studio Ribbon Microphone
Released in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile "classic" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121.

PEARLMAN MICROPHONES CHURCH MICROPHONE
The PEARLMAN “CHURCH” microphone is a faithful remake of the Stanley Church MGM microphone from the 1950’s. Dave Pearlman has stayed true to the original schematics including the use of vintage, refurbished K47 and M7 capsules, a hand selected 6072 dual triode (12AY7) and the original TRIAD transformer that is being made again especially for PEARLMAN MICROPHONES after fifty years of it not being available.

The CHURCH mic is built in the same housing as the TM-1 and comes with all the goodies; power supply, shockmount, handbuilt Mogami cable and aluminum carrying case. This is truly a limited edition mic as only a limited number can be built. You will not believe your ears. Please inquire for International Shippng.

Royer Labs R-122V Vacuum Tube Ribbon Microphone
The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be truly appreciated, the R-122V offers the ultimate in ribbon microphone performance for those who insist on the very best.

Vanguard V24 TUBE STEREO CONDENSER
Vanguard Audio Labs is proud to introduce the V24 Tube Stereo Condenser microphone!

A culmination of our combined knowledge and experience, Vanguard Audio Labs is proud to present the V24 Stereo Tube Condenser Microphone – designed to be the crème de la crème of stereo microphones. This unique microphone is designed to be a versatile, reliable, professional tool in the vein of highly-sought-after vintage stereo condensers of yesteryear.

With a pair of matched coincident BeesNeez CK12 Capsules and 9 polar patterns per capsule, you can utilize X/Y, Mid-Side, Blumlein, and other less conventional stereo microphone techniques in a single microphone.

With our acclaimed detented heavy-duty rotation mechanism, premium cryogenically-treated tube circuitry, Neutrik® interconnects, US-made audiophile-grade resistors, twin Cinemag™ transformers, and a VLSM shockmount, the V24 is the first and last stereo microphone you’ll ever need to reach for.

Made in small batches in the USA, this is the definitive modern tube stereo microphone.

Roswell Pro Audio's Mini K47 has become a favorite on drum overheads for many of our customers. See multiple example videos that demonstrate how these mics sound on drums.

We match Mini K47s to 0.5dB in sensitivity (measured at 1kHz), and about 1.5dB in frequency response, 50Hz–15kHz. Acoustic testing is done at Roswell HQ in northern California.

Each microphone includes our exclusive Cutaway™ metal-frame shockmount (with spare elastics), and an aluminum flight case. We also include two Roswell branded microfleece storage bags for the microphones.

Royer Labs R-121 Live Matched Pair - Ribbon Microphone
The R-121 Live is a ruggedized version of the popular R-121 ribbon microphone. The studio R-121 is tough and has been used on the road for years, but the increased durability of the R-121 Live gives FOH engineers greater confidence in the ribbon standing up to the rigors of the road.

The R-121 Live’s output level is comparable to a dynamic mic, and it delivers the warm, realistic tone that only a ribbon mic can. Along with its smooth, natural response, the R-121 Live virtually eliminates the shrill high-end often associated with live guitars and brass. Push up the faders and there’s the instrument in all its fullness and natural glory, minus the peaky highs that FOH and Monitor engineers spend so much of their careers fighting.

Royer Labs R-122V Matched Pair Vacuum Tube Ribbon Microphone
The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be truly appreciated, the R-122V offers the ultimate in ribbon microphone performance for those who insist on the very best.

Royer Labs R-121- Studio Ribbon Microphone
Released in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile "classic" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121.

Vanguard Audio Labs V4 Gen2 MULTI PATTERN FET CONDENSER
We’re excited to introduce the VANGUARD AUDIO LABS V4 gen2 microphone!
The newest generation of Vanguard V4 is a large-diaphragm multi-pattern FET condenser microphone exquisitely re-imagined by Vanguard Audio Labs' team over the last 12 months. It is designed to be a versatile, reliable, professional recording tool that destroys the usual “bang-for-your-buck” curve. With their acclaimed edge-terminated ultra-thin custom-voiced capsule, primo cryogenically-treated componentry, Neutrik® interconnects, and the best shockmount in all the land, the V4 is made to be your go-to workhorse microphone at a price that won’t break your piggy bank.

VOYAGE AUDIO USB / ADAT - Spatial Audio Capture Microphone
Spatial Mic lets you focus on recording immersive audio for VR, ATMOS, spatial music, concert recording, live broadcasts and much more. Want to use it in traditional stereo session? No Problem – the included software makes it easy to decode to stereo and aim virtual mics around the soundfield. No need for expensive multi-microphone & preamp setups – just plug-in and record with USB/ADAT. Also available for Dante network version.

Roswell Pro Audio Mini K67X Matched Pair
Mini K67x is a compact, large-diaphragm condenser with harmonic coloration from its transformer-coupled circuit. The voicing is not overtly colored, but is not as neutral as the Mini K87; the upper mids (4-7kHz) are slightly scooped, and the rolloff above 12kHz is very gradual, giving the mic extended "air."

Each K67x is built by hand in California, burned in, and extensively tested.

Matching Criteria
We match these mics to 0.5dB in sensitivity (measured at 1kHz), and 1.5dB (or better) in frequency response, 50Hz–15kHz.

R-121 25th Anniversary Limited-Edition Distressed Rose Matched Pair
Yes, the R-121 is 25 years old this year! The R-121 25th Anniversary model celebrates the R-121’s legacy with a unique, limited edition “Distressed Rose” finish that gives a variety of looks, from a dark bourbon color in lower studio lighting and onstage to a rich rose color in brighter light. We would not, could not modify the classic R-121’s design and function, but this stunning finish is our way of letting everyone in on the 25th Anniversary party! There will be 500 R-121 Distressed Roses made, no more.

Released in 1998, the R-121 was the first radically different modern ribbon microphone, singlehandedly creating the great ribbon microphone resurgence that is still growing and going strong today. The R-121 is a staple on electric guitars around the world and is also one of the finest brass mics available, along with drum rooms, kick drums, piano, snare drum, acoustic guitar, violin, all percussion, harp, cello… the list goes on and on. When you want to record an instrument as naturally as possible, you reach for an R-121.

Whether you plan to use it every day or keep it safe as a collectible, the R-121 Distressed Rose will be one of the coolest looking, best sounding mics you’ll ever own.

Chandler Limited REDD Microphone - Large-diaphragm Tube Condenser Mic with Onboard Preamp
The Chandler Limited REDD Microphone is a large diaphragm tube condenser microphone, combining mic and preamp into a single, beautifully handcrafted professional recording device. Featuring the vacuum tube based REDD.47 Mic Amplifier circuit directly coupled to a custom handmade premium platinum membrane capsule, the REDD Microphone can be used with or without an external preamplifier.

This unique microphone design provides the shortest possible distance between the two most important elements in the recording chain – delivering a larger than life full-bodied sound, with silky smooth top-end.

The Chandler Limited REDD Microphone was designed to handle a variety of source materials, including: vocals, strings, piano, drums, bass guitar, electric and acoustic guitars.

Royer Labs R-121 Live Ribbon Microphone
The R-121 Live is a ruggedized version of the popular R-121 ribbon microphone. The studio R-121 is tough and has been used on the road for years, but the increased durability of the R-121 Live gives FOH engineers greater confidence in the ribbon standing up to the rigors of the road.

The R-121 Live’s output level is comparable to a dynamic mic, and it delivers the warm, realistic tone that only a ribbon mic can. Along with its smooth, natural response, the R-121 Live virtually eliminates the shrill high-end often associated with live guitars and brass. Push up the faders and there’s the instrument in all its fullness and natural glory, minus the peaky highs that FOH and Monitor engineers spend so much of their careers fighting.

The Vanguard V13 is a large-diaphragm multi-pattern tube condenser microphone. Crafted by experts over the course of 3 years, the design goal was to combine vintage warmth with smooth modern detail. After extensive testing and listening by world-class engineers, we can say with pride that the performance of this mic rivals or exceeds iconic vintage & modern microphones at a fraction of the cost.

CHANDLER LIMITED TG Microphone Type L
The Chandler Limited EMI Abbey Road Studios ‘TG Microphone Type L’ is a phantom powered, cardioid, large diaphragm condenser microphone, and as the name implies, the Type L is descended from the innovative ‘TG Microphone.’

The TG Microphone Type L inherits the core circuitry, capsule and ‘Dual Tone System’ of the larger ‘TG Microphone;’ however, this is where the similarity ends. Apart from the ‘TG Microphone’; the Type L is tuned to have its own sound and unique voicings.

Roswell Audio Mini K47 captures the tone of a vintage microphone, with modern performance specifications.

"K47" refers to the capsule design. The capsule in this microphone is modeled after the one in the most famous microphone of all time. It provides a full, balanced tone without any harshness or hype in the upper frequencies. It will record less sibilance and fewer mouth sounds on your next vocal track. It will add weight and body to high strings and electric guitars. It will reduce the jangle in strummed acoustic tracks.

For this microphone, we chose a very clean and transparent circuit design. It lets the sound of the capsule pass through without alteration. Self-noise and distortion performance are on par with microphones costing significantly more. The circuit incorporates the best tricks we’ve learned from modifying and upgrading other companies’ products.

Roswell Pro Audio Mini K87 is a high-resolution condenser microphone with a neutral voicing. It aspires to transparency rather than color. Yet it retains enough character to capture and communicate the emotion of the source.

The mic's sound comes from a combination of a specially tuned K67/K87-style capsule and a circuit that we've designed to enhance and complement it. The final voicing of the microphone is a manual process that enables us to create a very consistent sound.

The Mini K87 excels on vocals (sung and spoken, including voiceover and podcasting), guitars, acoustic strings, and drum overheads.

PEARLMAN MICROPHONES TM-2
The PEARLMAN TM-2 is the answer to the many requests to offer a smaller, more affordable version of the TM-1. The mic is build around a military spec 6AK5 (EF95) pentode and uses the same basic point to point circuit as the TM-1 with a few small differences.

The TM-2 uses a 32mm American made capsule and comes with all the same “case candy” as all the PEARLMAN mics; power supply, shockmount, hand made cable and aluminum carrying case.

The TM-2 was designed to fit around a drum set and into small spaces and is a great tool in the studio for acoustic instruments as well as for recording vocals. Please inquire about International Shipping. Organically grown.

If you look for a Neumann U-67 clone, you are at the right place!

"When you turn it off, you just get sad." - Charlie Waymire on the Roswell Pro Audio Mini K47 KD.

The Mini K47 KD is a handbuilt microphone for high SPL applications: kick drum, floor tom, bass cab, brass.

Roswell Pro Audio have retained their incredibly popular K47 capsule, as found in the Mini K47. They have crafted a new circuit that is optimized for high SPL capture with minimal noise, huge bottom end, and high headroom.

The Mini K47 KD ships with Roswell's exclusive Cutaway shockmount in a hard case.

Hear this mic in Ep. 3 of our Virtual Showroom studio broadcast.

Pair the Mini K47 KD with a matched pair of the Mini K47 or Mini K87 for a 3-piece drum recording solution.

Mojave Audio MA-37- Mojave’s take on the classic Sony C-37a
Retro. Futuristic. We are proud to introduce Technical Grammy Award Winner David Royer’s modern take on a legend – the Sony C-37a. Known for its high headroom and ability to tame brittle high end, it became a workhorse in the 60’s, especially during the golden age of Hollywood recording – the “Wrecking Crew’ era. Studios such as Capitol Records and Sunset Sound acquired multiples, which are still use today. From Leonard Bernstein and the Columbia Symphony Orchestra and VO legend Mel Blanc (the voice of over 400 characters, from Bugs Bunny to Barney Rubble) though producer Daniel Lanois (U2, Peter Gabriel) and current artists, such as Bon Iver, the C-37a remains a ‘secret weapon’ microphone for those in the know. David Royer, who has been a fan of the C-37a for thirty years, has long desired to o er his updated version to the Mojave family – and that time has come. He states, “Sony took a completely different approach than Neumann and AKG, which made the C-37a a completely different animal”.

Mojave Audio SM-200 Shock Mount
The Mojave Audio SM-200 Shock Mount is the standard replacement shock mount for MA-300, MA-200, MA-301fet, MA-201fet microphones.

Do you own a Mojave Audio large diaphragm tube/condenser microphone, but the original shock mount is either damaged or lost? Never fear - We have the solution for you! The Mojave Audio SM-200 Replacement Shock Mount is the standard Replacement Shock Mount for MA-300, MA-200, MA-301fet, MA-201fet, and MA-50 microphones.

Original Manufacturer included accessory Shock Mount Works perfectly for the following Mojave Microphones:

• MA-300SN
• MA-200SN
• MA-301fetVG
• MA-201fetVG
• MA-50 BLK

Royer Labs SF-2 Matched Pair - Active Ribbon Microphone
The SF-2 ribbon microphone is a phantom-powered version of the original SF-1 ribbon microphone. Designed primarily for classical applications and acoustic instruments, the SF-2 combines high-quality audio performance with an exclusive active electronics for ribbon microphones. The SF-2’s output of -38 dB puts its sensitivity on par with that of phantom powered condenser microphones, allowing it to be used with a wide variety of mic pres regardless of gain characteristics. The unique electronics and custom designed FET’s used in the SF-2 deliver ultra-quiet operation, with self-noise of lower than 18 dB.

Royer Labs R-10 Matched Pair- Passive Ribbon Studio Microphone
The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning.  

The R-10’s 2.5-micron aluminum ribbon element is formed with our patented direct-corrugation process and is protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise. 

Royer SF-24V Vacuum Tube Stereo Ribbon Microphone
The SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics provide increased midrange reach, unmatched clarity and detail, and an airiness previously unheard of in ribbon mics. Utilizing the same proprietary tube electronics as in our TEC Award winning R-122V ribbon microphones, the SF-24V delivers the ultimate in stereo ribbon miking for the true connoisseur of recorded sound.

Royer SF-12 Stereo Ribbon Microphone
The SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.

AM12 ambient & Talkback mic
The AM12 Ambient Microphone is a 12 inch podium-style, condenser gooseneck mic with super cardioid pattern for use with Hear Back PRO Mixer as an ambient or intercom microphone.  The AM12 features 15 volt phantom power, 30hz – 16khz frequency response, and -40db sensitivity.

Mesanovic Microphones MODEL 2S Capture stunning stereo recordings with ease
• Identical transformer and ribbon motor construction as the Model 2 delivers the same unique sonic character
• Provides outstanding phase coherent stereo recordings every time
• Incredibly easy to set up and capture perfect stereo recordings
• Ideal for orchestral and choral recordings, overheads, room, string sections, horn sections, piano, acoustic guitar, and more
• Slim design and unobtrusive black finish
• 100% handcrafted in Detroit, MI

R-121 25th Anniversary Limited-Edition Distressed Rose
Yes, the R-121 is 25 years old this year! The R-121 25th Anniversary model celebrates the R-121’s legacy with a unique, limited edition “Distressed Rose” finish that gives a variety of looks, from a dark bourbon color in lower studio lighting and onstage to a rich rose color in brighter light. We would not, could not modify the classic R-121’s design and function, but this stunning finish is our way of letting everyone in on the 25th Anniversary party! There will be 500 R-121 Distressed Roses made, no more.

Released in 1998, the R-121 was the first radically different modern ribbon microphone, singlehandedly creating the great ribbon microphone resurgence that is still growing and going strong today. The R-121 is a staple on electric guitars around the world and is also one of the finest brass mics available, along with drum rooms, kick drums, piano, snare drum, acoustic guitar, violin, all percussion, harp, cello… the list goes on and on. When you want to record an instrument as naturally as possible, you reach for an R-121.

Whether you plan to use it every day or keep it safe as a collectible, the R-121 Distressed Rose will be one of the coolest looking, best sounding mics you’ll ever own.

Mojave Audio MA-1000DS - Multi Pattern Tube Condenser Microphone
The MA-1000 is a large-diaphragm Multi-pattern Tube Condenser Microphone, designed by Technical Grammy award winning microphone designer David Royer. Inspired from some of yesterday’s most revered microphones, this modern tube microphone features an original new old-stock 5840 tube, a 251-style capsule, and a custom-designed transformer built by Coast Magnetics. Among its notable attributes, the MA-1000 includes a remotely controlled, continuously variable polar pattern selector (omnidirectional to figure-eight) that is located on microphone’s power supply.

The MA-1000 also offers a switchable 15dB pad that facilitates high SPL recordings with no microphone distortion or preamplifier overload. This is particularly useful for close miking electric guitars. Similarly, the microphone provides a switchable low frequency roll-off designed to reduce the excess low end created by proximity effect, the bass buildup commonly experienced during close miking of vocals and acoustic instruments. The LF roll-off capability is also useful when miking electric guitars where less low end buildup is desired.

With world-class components, the new MA-1000 delivers a sweet, airy top end, ‘you-are-there’ realism in the mids, and an accurate yet authoritative bottom end. The microphone ships with an innovative shock mount design that was created by and licensed from Royer Labs.

Mesanovic Microphones SC1 is the first small diaphragm condenser microphone of the brand. It features an interchangeable capsule system and comes with matching omni and cardioid capsules. The SC1 is a transformerless design that offers low self-noise, low distortion, fast transient response, and a natural sonic character. The SC1 is precision machined from stainless steel and manufactured in Mesanovic’s Detroit based facility. Each pair of capsules is matched for both sensitivity and frequency response in an ISO certified anechoic chamber. The SC1 works great for stereo recordings of drums, strings, orchestras, piano, and acoustic guitar. Its high SPL capability also makes it a great choice for snare drums, toms, and electric guitar cabinets.

Royer Labs R-122 MKII - Active Ribbon Microphone
In 2002 we introduced the R-122, the world’s first phantom powered, active ribbon™ microphone. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources. It also allowed the mic to be paired to virtually any preamplifier.

The R-122 MKll takes the R-122 to a whole new level, delivering unprecedented flexibility for ribbons via the addition of a switchable -15 dB pad and a switchable bass-cut filter. The switches are completely out of the circuit when disengaged so when both are off, the microphone is for all purposes an original R-122. The switches are located on the back of the microphone and recessed to prevent accidental activation.

Mojave Audio MA-201fetVG - Large-Diaphram Condenser Microphone
The MA-201fet is a large diaphragm, phantom-powered, solid-state condenser microphone with a fixed cardioid pattern. With its roots in a lineage of microphone designs by David Royer, the MA-201fet gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.

Utilizing a 3-micron gold-sputtered capsule, high-quality Jensen audio transformer, military-grade FET and custom designed low-noise resistors, the MA-20fet performs at a level reminiscent of some of the best loved classic condenser microphones. Each MA-201fet microphone is carefully tested and evaluated, then packaged in its protective case with a professional grade shockmount.

Vanguard V1S LOLLI STEREO PENCIL CONDENSER KIT
The Vanguard V1+LOLLI is a multi-capsule pencil condenser microphone system. Ten matched custom capsules – large and small, with 6 potential pickup patterns – allow for a cornucopia of tonal variations for virtually any sound source.

With premium cryo-treated FET componentry, an unparalleled selection of capsules, and a true heavy-duty shockmount, the V1S+LOLLI is your new “go-to” microphone pair for stereo recording, whether you’re in the studio or the field.