Mesanovic Microphones MODEL 2S Capture stunning stereo recordings with ease
• Identical transformer and ribbon motor construction as the Model 2 delivers the same unique sonic character
• Provides outstanding phase coherent stereo recordings every time
• Incredibly easy to set up and capture perfect stereo recordings
• Ideal for orchestral and choral recordings, overheads, room, string sections, horn sections, piano, acoustic guitar, and more
• Slim design and unobtrusive black finish
• 100% handcrafted in Detroit, MI

Vanguard V1S LOLLI STEREO PENCIL CONDENSER KIT
The Vanguard V1+LOLLI is a multi-capsule pencil condenser microphone system. Ten matched custom capsules – large and small, with 6 potential pickup patterns – allow for a cornucopia of tonal variations for virtually any sound source.

With premium cryo-treated FET componentry, an unparalleled selection of capsules, and a true heavy-duty shockmount, the V1S+LOLLI is your new “go-to” microphone pair for stereo recording, whether you’re in the studio or the field.

Mojave Audio MA-201fetVG - Large-Diaphram Condenser Microphone
The MA-201fet is a large diaphragm, phantom-powered, solid-state condenser microphone with a fixed cardioid pattern. With its roots in a lineage of microphone designs by David Royer, the MA-201fet gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.

Utilizing a 3-micron gold-sputtered capsule, high-quality Jensen audio transformer, military-grade FET and custom designed low-noise resistors, the MA-20fet performs at a level reminiscent of some of the best loved classic condenser microphones. Each MA-201fet microphone is carefully tested and evaluated, then packaged in its protective case with a professional grade shockmount.

Royer SF-12 Stereo Ribbon Microphone
The SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.

Royer Labs RSM-SS1 - Microphone Shouck Mount
The Sling-Shock™ model RSM-SS1 is a microphone shock mount, which provides excellent isolation between a microphone and the microphone stand.

The innovative suspension system reduces induced distortion by keeping out unwanted vibration and random low-frequency disturbances commonly characterized as "rumble".

Royer Labs R-10 Matched Pair- Passive Ribbon Studio Microphone
The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning.  

The R-10’s 2.5-micron aluminum ribbon element is formed with our patented direct-corrugation process and is protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise. 

Vanguard V24 TUBE STEREO CONDENSER
Vanguard Audio Labs is proud to introduce the V24 Tube Stereo Condenser microphone!

A culmination of our combined knowledge and experience, Vanguard Audio Labs is proud to present the V24 Stereo Tube Condenser Microphone – designed to be the crème de la crème of stereo microphones. This unique microphone is designed to be a versatile, reliable, professional tool in the vein of highly-sought-after vintage stereo condensers of yesteryear.

With a pair of matched coincident BeesNeez CK12 Capsules and 9 polar patterns per capsule, you can utilize X/Y, Mid-Side, Blumlein, and other less conventional stereo microphone techniques in a single microphone.

With our acclaimed detented heavy-duty rotation mechanism, premium cryogenically-treated tube circuitry, Neutrik® interconnects, US-made audiophile-grade resistors, twin Cinemag™ transformers, and a VLSM shockmount, the V24 is the first and last stereo microphone you’ll ever need to reach for.

Made in small batches in the USA, this is the definitive modern tube stereo microphone.

Royer Labs SF-2 Matched Pair - Active Ribbon Microphone
The SF-2 ribbon microphone is a phantom-powered version of the original SF-1 ribbon microphone. Designed primarily for classical applications and acoustic instruments, the SF-2 combines high-quality audio performance with an exclusive active electronics for ribbon microphones. The SF-2’s output of -38 dB puts its sensitivity on par with that of phantom powered condenser microphones, allowing it to be used with a wide variety of mic pres regardless of gain characteristics. The unique electronics and custom designed FET’s used in the SF-2 deliver ultra-quiet operation, with self-noise of lower than 18 dB.

Roswell Pro Audio Mini K67X Matched Pair
Mini K67x is a compact, large-diaphragm condenser with harmonic coloration from its transformer-coupled circuit. The voicing is not overtly colored, but is not as neutral as the Mini K87; the upper mids (4-7kHz) are slightly scooped, and the rolloff above 12kHz is very gradual, giving the mic extended "air."

Each K67x is built by hand in California, burned in, and extensively tested.

Matching Criteria
We match these mics to 0.5dB in sensitivity (measured at 1kHz), and 1.5dB (or better) in frequency response, 50Hz–15kHz.

Royer Labs R-122V Matched Pair Vacuum Tube Ribbon Microphone
The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be truly appreciated, the R-122V offers the ultimate in ribbon microphone performance for those who insist on the very best.

Zeppelin Design Labs Cortado MkII Balanced Buffered Contact Mic DIY Kit
The Cortado MkII Balanced Buffered Contact Mic kit contains a phantom-powered circuit that balances the signal from a piezo transducer and matches its high output impedance to the low input impedance typical of consoles and recorders. Please note the MkII is only offered as a DIY kit.

MkII Features
• Extended low-end response for full, rich sound
• Adjustable bias for optimal performance
• Crazy-low noise floor
• The kit includes all the parts needed to build a Contact Mic or an Instrument Pickup
• Cortado MkII can be adapted into a fabulous Tin Can Mic, as detailed in our Instructable
• The Cortado MkII requires Phantom Power
• Bulk mic cable is available to extend cable lengths

Looking for the NEW Cortado MkIII Pro Audio Contact Mic? Click here.

Original spider type metal shockmount for Pearlman microphones, equipped with a 25 mm diameter screw base.

The microphone is screwed directly on the suspension allowing the elastics to offer a better resistance to vibrations.

Attention, this suspension is not suitable for all microphones. Please refer to the compatible models.

The Vanguard V1 is a multi-capsule FET pencil condenser microphone. Lovingly crafted by experts, it is designed to be a versatile, reliable, professional tool for any recording engineer, studio, producer, or artist. With a “straight-wire” circuit design, premium cryogenically-treated FET componentry, an unparalleled selection of capsules, and a true heavy-duty shockmount, the V1 will be your new studio workhorse.

What's in the box
• Vanguard Audio V1 microphone
• 22mm removable capsule – Cardioid
• 22mm removable capsule – Hypercardioid
• 22mm removable capsule – Omnidirectional
• 22mm removable capsule – Wide Cardioid
• VSSM small shockmount
• Padded pinewood microphone storage box

Mesanovic Microphone MODEL 2 the most versatile ribbon microphone ever made
• The most extended high end frequency response of any ribbon
• Classic ribbon smoothness with an open and transparent low end
• All original design delivering unique sonic character
• Slim compact design allows for easy set up
• Low noise, low distortion, exceptional detail, and 3D like sound
• 100% handcrafted in Detroit, MI

The Cortado MkIII contact microphone is the latest incarnation of Zeppelin Design Labs' popular balanced and buffered contact microphone.
• All-new sensor design is nearly indestructible
• Phantom-powered onboard preamp circuit is housed in rugged steel chassis
• 6′ (1.8m) shielded cable from sensor to chassis
• 23 Hz – 40 kHz bandwidth
• Switchable onboard high pass filter (called “Bass Boost”)
• -10 dB PAD for recording extra-loud sources
• Requires 24-48 VDC phantom power from a standard XLR mic cable
• Optional rubber feet for the chassis included
• Mounting putty included
• The optional Attachment Accessory Kit includes a variety of clamps, tape and extra putty for attachment to any surface

Royer Labs R-10 - Passiv Ribbon Studio Microphone
The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in Royer's Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning.  

The R-10’s 2.5-micron aluminum ribbon element is formed with a patented direct-corrugation process and is protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise.

Roswell Pro Audio Colares • Boutique Vocal Condenser Microphone
The Colares is a large-body condenser microphone with a larger than life sound. It is our flagship vocal microphone, and excels at injecting color, vibe, excitement, and life to a track.

This is not a neutral or transparent microphone. It is unapologetically rich in both tone and harmonics. The design inspiration was the Telefunken ElaM 251, but our goal was to deliver all the detail and vintage tone of the 251 without the cost, maintenance hassle, or noise floor of a tube microphone.

The Colares has two unique features: a pad/voicing switch and a 3-way filter switch. Learn more about these in the Description tab below, on this page.

PEARLMAN MICROPHONES TM-2
The PEARLMAN TM-2 is the answer to the many requests to offer a smaller, more affordable version of the TM-1. The mic is build around a military spec 6AK5 (EF95) pentode and uses the same basic point to point circuit as the TM-1 with a few small differences.

The TM-2 uses a 32mm American made capsule and comes with all the same “case candy” as all the PEARLMAN mics; power supply, shockmount, hand made cable and aluminum carrying case.

The TM-2 was designed to fit around a drum set and into small spaces and is a great tool in the studio for acoustic instruments as well as for recording vocals. Please inquire about International Shipping. Organically grown.

If you look for a Neumann U-67 clone, you are at the right place!

Mojave Audio MA-200SN - Large-Diaphram Tube Condenser Microphone
The MA-200SN is a large diaphragm, vacuum tube condenser microphone with a fixed cardioid pattern. Born to a lineage of fine microphone designs by David Royer, the MA-200SN gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.

Utilizing hand-selected single-sided 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200SN performs at a level reminiscent of some of the best loved classic condenser microphones. The MA-200SN power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). Each MA-200SN microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case-within-a-case.

Royer Labs R-122 MKII Live - Active Ribbon-Velocity Live Microphone
The R-122 MKII Live is a road-optimized version of the phantom powered R-122 MKII ribbon microphone with a switchable -15 dB pad and a low cut filter. Sonically similar to our groundbreaking R-121, the R-122 MKII exhibits a flat frequency response and a well-balanced, panoramic soundfield, but it’s 13 dB more sensitive and has a faster transient response, giving a sense of more open highs. Like the R-121, it is capable of handling high SPL applications.

Royer SM-21 - AxeMount - Dual Microphone Mount for 57/R-121
Blending an R-121 ribbon with a dynamic mic is a legendary method for capturing electric guitars. The AxeMount microphone clip positions an R-121 right next to a 57-style dynamic mic, phase-aligned and ready to record, for the ultimate electric guitar microphone package. Making small position adjustments on a speaker or switching both mics to another cabinet is as easy as moving only one mic stand.

Roswell Pro Audio Mini K67x expands the promise of "sonic diversity" by introducing a new sound to the Mini K product line. The capsule voicing strikes a balance between neutrality and flattery, with tight bass and an open top end. The circuit enhances the source with harmonics. The mic retains the "point and shoot" simplicity of the Mini K lineup.

Like all Roswell microphones, the Mini K67x is designed, assembled, and tested in California.

Vanguard Audio Labs V13 Gen2 TUBE CONDENSER
We’re excited to introduce the VANGUARD AUDIO LABS V13 gen2 microphone!

The second generation Vanguard V13 is a large-diaphragm multi-pattern tube  condenser microphone lovingly re-imagined by our team over the last 2 years. Vanguard Audio Labs  sought to improve upon the legacy of the lauded original V13, combining smooth modern detail with vintage warmth and character. With a Gen2 upgraded power supply, premium cryogenically-treated tube circuitry (including US-made audiophile-grade resistors), Neutrik interconnects, and a VLSM shockmount, the V13 will be your go-to microphone for vocals and instruments alike.

Royer RSM-SS24 - Microphone Shouck Mount
The Sling-Shock™ model RSM-SS24 is a microphone shock mount, which provides excellent isolation between a microphone and the microphone stand.

The innovative suspension system reduces induced distortion by keeping out unwanted vibration and random low-frequency disturbances commonly characterized as "rumble".

Vanguard Audio Labs V14 VARIABLE-VOLTAGE TUBE CONDENSER
Vanguard Audio Labs is proud to present the V14 Tube Condenser Microphone – designed to be a versatile, reliable, professional tool in the vein of the highly-sought-after vintage Austrian-made condensers of yesteryear. The V14 is, in fact, the single capsule sibling of Vanguard Audio’s acclaimed V24 Dual-Capsule Stereo Tube mic, the crème de la crème of stereo microphones.

The V14 features a BeesNeez CK12 Capsule, vintage GE 6072A tube, 9 polar patterns, and a unique “Variable Voltage” control that can starve or drive the tube voltage, creating even more tonal colors.

With our premium cryogenically-treated tube circuitry, Neutrik® interconnects, US-made audiophile-grade resistors, Cinemag® transformers, and a VLSM shockmount, the V14 is the finest example of an updated legacy tube condenser available at any price.

Hand-made in small batches in the USA, this is the definitive modern tube microphone and will be the crown jewel of any mic locker.

Vanguard V44S Gen2 the second generation Vanguard V44S is a stereo large-diaphragm multi-pattern FET condenser microphone lovingly re-imagined by our team over the last 12 months. This unique microphone is designed to be a versatile, reliable, professional tool in the vein of highly-sought-after vintage stereo condensers of yesteryear. With a pair of twin coincident custom-voiced multi-pattern capsules, you can utilize X/Y, Mid-Side, Blumlein, and other less conventional stereo microphone techniques in a single microphone. With a gen2 redesigned detented heavy-duty rotation mechanism, premium cryogenically-treated FET circuitry, Neutrik® interconnects, and a VLSM shockmount, the V44S is the first and last stereo microphone you’ll ever need to reach for.

Vanguard V34C LOLLI is a removable multi-pattern large-diaphragm capsule head. Vanguard started with the custom-voiced 34mm 3-micron capsule. Then suspended it an aircraft-grade aluminum chassis which is carefully vented and radiused to minimize standing wave resonances. The LOLLI will fit on any microphone with M21x0.5 threading.

Lovingly crafted by experts, it is made to fit a variety of small-diaphragm “pencil” microphones from several manufacturers (Telefunken, Peluso, MXL ...). With the V34C, you can convert your instrument mic into a large-diaphragm, multi-pattern recording tool in seconds.

Mojave Audio MA-300SN - Multi Pattern Tube Condenser Microphone
The MA-300 is a multi-pattern large diaphragm, vacuum tube condenser microphone. Based upon the widely accepted MA-200 designed by David Royer, the MA-300 adds a continuously variable pickup pattern selector, 15dB pad and a switchable bass roll-off. The MA-300 gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.

Utilizing hand-selected, double diaphragm 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-300 performs at a level reminiscent of some of the best loved classic condenser microphones. The MA-300 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). Each MA-300 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case-within-a-case.

Mojave Audio MA-50BLK
The challenge? Create a transformerless microphone circuit without the inherent problems found in transformerless microphones. Technical Grammy® award winning microphone designer David Royer has created a thoroughly modern microphone that rises to that challenge: the new MA-50. Designed to produce the clarity and realism that Mojave microphones are known for – at an entry level price – the MA-50 out performs well-known transformerless mics costing many times more.

The MA-50BLK is the perfect microphone for pros and semi-pros alike. Utilizing the same single-sided capsule as the MA-200SN and MA-201VG, it handles the fastest transients with ease – even up to 140 dB.

Royer Labs R-121- Studio Ribbon Microphone
Released in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile "classic" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121.

"When you turn it off, you just get sad." - Charlie Waymire on the Roswell Pro Audio Mini K47 KD.

The Mini K47 KD is a handbuilt microphone for high SPL applications: kick drum, floor tom, bass cab, brass.

Roswell Pro Audio have retained their incredibly popular K47 capsule, as found in the Mini K47. They have crafted a new circuit that is optimized for high SPL capture with minimal noise, huge bottom end, and high headroom.

The Mini K47 KD ships with Roswell's exclusive Cutaway shockmount in a hard case.

Hear this mic in Ep. 3 of our Virtual Showroom studio broadcast.

Pair the Mini K47 KD with a matched pair of the Mini K47 or Mini K87 for a 3-piece drum recording solution.

PEARLMAN MICROPHONES TM-LE
Following the success of the PEARLMAN TM-1, the release of the PEARLMAN CHURCH Mic and the affordable PEARLMAN TM-2 comes the PEARLMAN TM-LE, A Limited Edition large diaphragm condenser tube microphone made exclusively for Petes Place Audio.

The TM-LE is a handcrafted microphone that has been described by Professional Recording Engineers as sounding like the combination of a U47 and a U67.

The microphone features point-to-point wiring, a hand selected military spec 6AK5 (5654 or European equivalent EF95), Mogami cable with Neutrik connectors, power supply compatible with all world voltages and best of all; a rare, refurbished K67 capsule.

Royer Labs R-122V Vacuum Tube Ribbon Microphone
The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be truly appreciated, the R-122V offers the ultimate in ribbon microphone performance for those who insist on the very best.

Vanguard Audio Labs V4 Gen2 MULTI PATTERN FET CONDENSER
We’re excited to introduce the VANGUARD AUDIO LABS V4 gen2 microphone!
The newest generation of Vanguard V4 is a large-diaphragm multi-pattern FET condenser microphone exquisitely re-imagined by Vanguard Audio Labs' team over the last 12 months. It is designed to be a versatile, reliable, professional recording tool that destroys the usual “bang-for-your-buck” curve. With their acclaimed edge-terminated ultra-thin custom-voiced capsule, primo cryogenically-treated componentry, Neutrik® interconnects, and the best shockmount in all the land, the V4 is made to be your go-to workhorse microphone at a price that won’t break your piggy bank.

Royer Labs RSM-SS251 - Microphone Shouck Mount
The patented Sling-Shock represents a major step forward in shock mount systems. With NO rubber parts or elasticized cables that often fail and need replacing, the Sling-Shock provides superior isolation from shocks, vibrations and self-resonance while holding the microphone securely. It’s built Royer-solid and comes with a lifetime warranty.

Chandler Limited TG Microphone  - Large Diaphragm Condenser Microphone
The Chandler Limited EMI Abbey Road Studios ‘TG Microphone’ is a solid-state large diaphragm condenser microphone. Continuing the rich tradition of innovation, the TG Microphone is unique in its feature-set and as the name implies, the sound is TG.

The TG Microphone’s unique on-board EMI ‘Tape Equalizer’ section combined with its ‘Dual Tone System’, dedicated PSU and other features create an extremely flexible microphone capable of rivaling scenarios where the FET47, C414, U87, and U47 traditionally have found favor.

The Tape Equalizer is adapted from the NAB/IEC tape equalizer facility found on vintage EMI TG mastering desks, and applied to great effect in the TG Microphone. Historically used to compensate for tapes played back on machines of the opposite standard, the repurposed tape equalizer allows the engineer to sculpt the sound at the source in lieu of external processing.

The microphones shaping possibilities are further expanded when the Tape Equalizer is combined with the selectable 90/50 Hz Low-Cut filter.

Royer Labs R-122 MKII - Active Ribbon Microphone
In 2002 we introduced the R-122, the world’s first phantom powered, active ribbon™ microphone. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources. It also allowed the mic to be paired to virtually any preamplifier.

The R-122 MKll takes the R-122 to a whole new level, delivering unprecedented flexibility for ribbons via the addition of a switchable -15 dB pad and a switchable bass-cut filter. The switches are completely out of the circuit when disengaged so when both are off, the microphone is for all purposes an original R-122. The switches are located on the back of the microphone and recessed to prevent accidental activation.

Royer Labs SF-2 Active Ribbon Microphone
The SF-2 ribbon microphone is a phantom-powered version of the original SF-1 ribbon microphone. Designed primarily for classical applications and acoustic instruments, the SF-2 combines high-quality audio performance with an exclusive active electronics for ribbon microphones. The SF-2’s output of -38 dB puts its sensitivity on par with that of phantom powered condenser microphones, allowing it to be used with a wide variety of mic pres regardless of gain characteristics. The unique electronics and custom designed FET’s used in the SF-2 deliver ultra-quiet operation, with self-noise of lower than 18 dB.

Vanguard V1S PENCIL CONDENSER KIT
The Vanguard V1S is a matched pair of multi-capsule FET pencil condenser microphones. Eight matched custom small-diaphragm capsules in 4 pickup patterns allow for a cornucopia of tonal variations for virtually any sound source. With premium cryogenically-treated FET componentry, an unparalleled selection of capsules, and a true heavy-duty shockmount, the V1S will be your new “go-to” set of pencil condensers, whether you’re in the studio or the field.

PEARLMAN MICROPHONES TM-250
This new addition to the PEARLMAN line is a limited edition, custom order recreation of the famous Telefunken 250. Starting at the top this microphone utilizes a C12 type capsule hand-made in Denmark by Tim Campbell. A genuine AKG™ CK-12 capsule can be installed (whenever they are available) for an additional price. Old style carbon resistors are used in the audio circuit to maintain the original sound. A select 6072 (12AY7) tube is hand picked and tested for use in the microphone as only the best tubes will be used.

The CINEMAG output transformer is an accurate replica of the original part from a sixties era Tele 250 and delivers that beautiful, vintage smoothness.

All mics are still hand-made one at a time and are wired point-to-point. Included in the system is the custom American made power supply, shockmount, hand wired Mogami cable, and a smart looking aluminum carrying case.

Mesanovic Microphones SC1 is the first small diaphragm condenser microphone of the brand. It features an interchangeable capsule system and comes with matching omni and cardioid capsules. The SC1 is a transformerless design that offers low self-noise, low distortion, fast transient response, and a natural sonic character. The SC1 is precision machined from stainless steel and manufactured in Mesanovic’s Detroit based facility. Each pair of capsules is matched for both sensitivity and frequency response in an ISO certified anechoic chamber. The SC1 works great for stereo recordings of drums, strings, orchestras, piano, and acoustic guitar. Its high SPL capability also makes it a great choice for snare drums, toms, and electric guitar cabinets.

Roswell Pro Audio's Mini K47 has become a favorite on drum overheads for many of our customers. See multiple example videos that demonstrate how these mics sound on drums.

We match Mini K47s to 0.5dB in sensitivity (measured at 1kHz), and about 1.5dB in frequency response, 50Hz–15kHz. Acoustic testing is done at Roswell HQ in northern California.

Each microphone includes our exclusive Cutaway™ metal-frame shockmount (with spare elastics), and an aluminum flight case. We also include two Roswell branded microfleece storage bags for the microphones.

Roswell Pro Audio Mini K87 Matched Pair to 0.5dB in sensitivity (measured at 1kHz), and about 1.5dB in frequency response, 50Hz–15kHz. Acoustic testing is done at Roswell HQ in northern California. The matching procedure uses a calibrated, proprietary low-diffraction speaker to produce a swept sine wave, which we record with each Mini K87 to measure both sensitivity and frequency response. Each microphone is also auditioned by Roswell staff as a part of our rigorous QC process.

Each microphone includes our exclusive Cutaway™ metal-frame shockmount (with spare elastics). Matched pairs ship in a single stereo-pair aluminum flightcase, which holds two microphones and two shockmounts.

Royer Labs R-121 MP Matched Pair - Studio Ribbon Microphone
Released in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile "classic" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121.

PEARLMAN MICROPHONES TM-1
The Pearlman TM 1 Microphone was designed by and is hand made by Dave Pearlman of ROTUND RASCAL RECORDING STUDIO. It is a high-quality microphone made for professional studio use but priced for the home recordist. Many studios using digital recording, (Pro Tools, etc.), need a front end system to warm up their recordings. All Pearlman microphones include power supply, cable, shock mount, and aluminum case.  NO GMOs.

R-121 25th Anniversary Limited-Edition Distressed Rose Matched Pair
Yes, the R-121 is 25 years old this year! The R-121 25th Anniversary model celebrates the R-121’s legacy with a unique, limited edition “Distressed Rose” finish that gives a variety of looks, from a dark bourbon color in lower studio lighting and onstage to a rich rose color in brighter light. We would not, could not modify the classic R-121’s design and function, but this stunning finish is our way of letting everyone in on the 25th Anniversary party! There will be 500 R-121 Distressed Roses made, no more.

Released in 1998, the R-121 was the first radically different modern ribbon microphone, singlehandedly creating the great ribbon microphone resurgence that is still growing and going strong today. The R-121 is a staple on electric guitars around the world and is also one of the finest brass mics available, along with drum rooms, kick drums, piano, snare drum, acoustic guitar, violin, all percussion, harp, cello… the list goes on and on. When you want to record an instrument as naturally as possible, you reach for an R-121.

Whether you plan to use it every day or keep it safe as a collectible, the R-121 Distressed Rose will be one of the coolest looking, best sounding mics you’ll ever own.

PEARLMAN MICROPHONES CHURCH MICROPHONE
The PEARLMAN “CHURCH” microphone is a faithful remake of the Stanley Church MGM microphone from the 1950’s. Dave Pearlman has stayed true to the original schematics including the use of vintage, refurbished K47 and M7 capsules, a hand selected 6072 dual triode (12AY7) and the original TRIAD transformer that is being made again especially for PEARLMAN MICROPHONES after fifty years of it not being available.

The CHURCH mic is built in the same housing as the TM-1 and comes with all the goodies; power supply, shockmount, handbuilt Mogami cable and aluminum carrying case. This is truly a limited edition mic as only a limited number can be built. You will not believe your ears. Please inquire for International Shippng.

Royer Labs R-121 Live Ribbon Microphone
The R-121 Live is a ruggedized version of the popular R-121 ribbon microphone. The studio R-121 is tough and has been used on the road for years, but the increased durability of the R-121 Live gives FOH engineers greater confidence in the ribbon standing up to the rigors of the road.

The R-121 Live’s output level is comparable to a dynamic mic, and it delivers the warm, realistic tone that only a ribbon mic can. Along with its smooth, natural response, the R-121 Live virtually eliminates the shrill high-end often associated with live guitars and brass. Push up the faders and there’s the instrument in all its fullness and natural glory, minus the peaky highs that FOH and Monitor engineers spend so much of their careers fighting.