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Smart Research C1

Smart Research C1 Compressor is the original black front panel version of C2 compressor. (Two sets of controls and two audio channels, but no Sidechain inputs, or Crush facility). Popular in UK and US west coast studios.

A modded version with 2 high-pass filters and a Sidechain input, the C1t is also available.

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€2,034.00 (incl. VAT)

€1,695.00 tax excl.

Last items in stock
Reference:
SRC1
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Description

Specifications
• Power: 100v-240v AC selectable, 30 watts
• Noise floor: Below -92 dBm (flat 20Hz-20Khz)
• Distortion: Below 0.025% (1K/+4 THD 20Hz-20Khz)
• Frq. Response: Within 1/2dB from 20Hz to 20Khz
• Depth in rack: 240mm
• Main input: Balanced, impedance 10K per leg
• Output: Unbalanced (p2 hot default) Above +21dBm
• Threshold: Adjustable -15 to +15dBm
• Make-up gain: Adjustable 0 to +15dBm

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Product Details
SRC1

Data sheet

Condition
New
Type
VCA Compressor
Application
Tracking & Mixing
Channels
Dual Mono
Circuit
Solid State
Output transformer(s)
218X
Format
19"
Chassis
1 U
Quantity
1
Reviews
No comments
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Availability : 6 days

The Smart Research C2 compressor houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true Stereo operation. The C2M version has one set of controls and two audio channels for Stereo use, whilst the C2R is a dual channel remote expander for building up to 8 channel systems controlled from one C2M or C2.

The characteristic sound of this unit arises mostly from the fast response at the onset of compression, which when delayed to occur around the mid range attack settings (after 0.3 to 3 milliseconds) results in a window through which transients can still pass. When used accross a mix, or with any dynamic programme, this has the effect of adding 'punch', as the sidechain 'breathes' around these transients, while still controlling overall levels. CRUSH mode has been developed as an extension of this 'musicality', adding to and accentuating the factors involved in producing the character of the unit. CRUSH may sound surprising to those interested in more gentle applications, being capable of exaggerated compression effects, but in conjunction with the fast limit settings also introduced with this unit, it allows the C2 to be used for a much wider range of applications than the C1.

500 Series Compressors
Smart Research
€1,470.00 (incl. VAT)
Availability : In stock

Smart Research C1LA is a stereo compressor/limiter, released to commemorate the 25th anniversary of the original C1 Stereo/Dual Mono unit, and the 50th anniversary of North American distributor, Sunset Sound. It is a versatile unit, housed in a two-module wide 500-series format, with three main modes of operation offering a range of possibilities. It can be used for all stereo or single channel signal applications: as a main mix bus compressor; for sub-mixes; or for tracking either mono or stereo sources.

For 25 years Smart Research compressors have been used across many mixes: with artists as diverse as the Rolling Stones to the Three Tenors. The C1LA shares this history by including the same electronics and settings as the original C1, but with several new features.

Compressors
Smart Research
€2,514.00 (incl. VAT)
Last items in stock

The Smart Research C2 The C2 compressor houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true Stereo operation. The C2M version has one set of controls and two audio channels for Stereo use, whilst the C2R is a dual channel remote expander for building up to 8 channel systems controlled from one C2M or C2.

The characteristic sound of this unit arises mostly from the fast response at the onset of compression, which when delayed to occur around the mid range attack settings (after 0.3 to 3 milliseconds) results in a window through which transients can still pass. When used accross a mix, or with any dynamic programme, this has the effect of adding 'punch', as the sidechain 'breathes' around these transients, while still controlling overall levels. CRUSH mode has been developed as an extension of this 'musicality', adding to and accentuating the factors involved in producing the character of the unit. CRUSH may sound surprising to those interested in more gentle applications, being capable of exaggerated compression effects, but in conjunction with the fast limit settings also introduced with this unit, it allows the C2 to be used for a much wider range of applications than the C1.

Also available with a parallel compression stage (Blend) check the Smart Research C2B

Direct Boxes
Smart Research
€354.00 (incl. VAT)
Availability : 5 days

Smart Research DI System Designed to solve many instrument recording and D.i problems. For instance, one guitar feeding down long cables to 3 amps in a different area, without hums or change of tone. Includes: Balanced line driver for long cables; speaker level D.i input, and one unity gain Di Box/Splitter for two D.i or Amp feeds. Conceived at Real World Studios, to solve the problem of a guitarist wanting to play in the control room and have amplifiers set up in a live room sometimes several hundred feet away. Prototypes were also used at Virgin/ EMI Townhouse and Manor studios. Since then producers and artists such as Tom Lord Alge, Peter Gabriel, Paul Weller, and Tears for Fears have bought systems. Four systems were used to cure problems for Peter Gabriel's live show, where two stages had to be inter -connected with 300 feet of cable carrying guitar signals from radios to effects pedals on both stages and back to amps on the main stage without degradation, (allowing each stage to be patched independently).

Direct Boxes
Smart Research
€453.60 (incl. VAT)
Availability : In stock

Smart Research Guitar DI Deluxe System
Designed to solve many instrument recording and D.i problems. For instance, one guitar feeding down long cables to 3 amps in a different area, without hums or change of tone. Includes: Balanced line driver for long cables; speaker level D.i input, and one unity gain Di Box/Splitter for two D.i or Amp feeds. Conceived at Real World Studios, to solve the problem of a guitarist wanting to play in the control room and have amplifiers set up in a live room sometimes several hundred feet away. Prototypes were also used at Virgin/ EMI Townhouse and Manor studios. Since then producers and artists such as Tom Lord Alge, Peter Gabriel, Paul Weller, and Tears for Fears have bought systems. Four systems were used to cure problems for Peter Gabriel's live show, where two stages had to be inter -connected with 300 feet of cable carrying guitar signals from radios to effects pedals on both stages and back to amps on the main stage without degradation, (allowing each stage to be patched independently).

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